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Ratings=6,4 / 10 / Genres=Documentary / 2018 / rating=23 Votes / USA / Mark Bozek. God I wish I could have seen that exhibition! Will settle for the book they're damn expensive such is art. The big screen documentary The Times of Bill Cunningham is told in Bill Cunningham’s own words from a recently unearthed six-hour 1994 interview. The iconic street photographer and fashion historian chronicles, in his customarily cheerful and plainspoken manner, moonlighting as a milliner in France during the Korean War, his unique relationship with First Lady Jackie Kennedy, his four decades at The New York Times and his democratic view of fashion and society. Narrated by Sarah Jessica Parker, The Times of Bill Cunningham features incredible photographs chosen from over 3 million previously unpublicized images and documents from Cunningham.
Yes another great one gone. seen so many over the years that I studied in school almost a half a century ago. The times of bill cunningham imdb. “The only way to last is never to let anyone really know you, ” photographer Bill Cunningham wrote at the end of his memoir “Fashion Climbing, ” published posthumously after his death in 2016. There was a documentary made about Cunningham in 2010 called “Bill Cunningham New York, ” which followed him as he took street fashion photos for The New York Times, and now we get this new film from director Mark Bozek, which is centered on an interview Bozek did with Cunningham in 1994. Cunningham remains elusive in both of these films and in his book, and the reason for that feels fairly obvious. Asked about romantic relationships in “Bill Cunningham New York, ” Cunningham replied, “Do you want to know if I’m gay? ” He deflected this question, saying it “never occurred to me. ” In “The Times of Bill Cunningham, ” he speaks briefly about his conservative upbringing in Boston and how his parents disapproved of his entering the fashion world as a young man. But in his memoir, he told a far more revealing story about the time his mother “beat the hell” out of him after she found him wearing his sister’s prettiest dress and she “threatened every bone in my uninhibited body if I wore girls’ clothes again. ” In the interview portions of “The Times of Bill Cunningham, ” which take up most of its brief 74-minute running time, Cunningham addresses Bozek’s camera with a good cheer so insistent and so extreme that it feels “please like me! ” protective. Though he was in his 60s when he did the interview in this movie, Cunningham still feels boyish — and there are a few photographs of him shown here as a younger man where he looks boyishly naughty — but this is only a hint of who he might have been. Also Read: Bill Cunningham, Legendary Fashion Photographer, Dies at 87 The timeline here jumps all over the place, and the narration read by Sarah Jessica Parker can barely keep us apprised of where we are in Cunningham’s life. We are told about a photo he took of an elderly Greta Garbo on the street in 1978, which first made his name, and there is a brief, very jumbled section about his life in his small, crammed, monastic studio apartment in Carnegie Hall, where he lived for decades among celebrities and friends and shared a bathroom down the hall. Cunningham was old-school Boston in many ways, and this includes traces of a Boston accent. He was very frugal and barely ever bought clothes for himself; he was obsessed about clothes on other people, mainly women. He is consistently and cheerfully dismissive of his work in this movie, calling himself a “zero” and wondering why Bozek is wasting his time on him. “I have no talent, ” he says toward the end of the film and calls himself “a lightweight. ” Also Read: Sundance 2020: Streamers Spent Big and Documentaries Are All the Rage Cunningham took his Garbo photo not because he recognized her but because he was taken by the cut of the nutria coat she was wearing. When Bozek asks him about the film stars he knew, Cunningham is also dismissive, saying that only Gloria Swanson approached the style in life that she had on the screen. He was much more interested in society women like Babe Paley and what women like her were wearing; practically everything to him was clothes, at the highest level of style. He made hats for a living in the 1950s until “hats were out” in the 1960s. During this period, he was residing with an uncle and aunt in Manhattan, but when it became clear to his family that he was going to continue to make his living in or around fashion, he had trouble with them, and he eventually moved in with his employers, Sophie Shonnard and Nona Parks, who ran a dressmaking establishment called Chez Ninon. (At one point, Cunningham says that Chez Ninon “discouraged” Elizabeth Taylor from wearing their clothes. ) Also Read: SeaWorld Pays $65 Million to Settle 'Blackfish'-Related Lawsuit Cunningham does not speak about the problems with his family in detail, preferring to enthuse very intensely on the life he found once he was given an inexpensive camera in 1967 and began becoming a “fashion historian” of the streets. But there comes a time during the interview when he is overcome with emotion as he talks about being shy; he hangs his head and waits for the emotion to pass. Toward the end of this movie, Cunningham breaks down in tears twice. He speaks about the toll that AIDS has had on the life of the city, and he seems to want to speak more about this, but Bozek, in an attempt to be comforting, tells him he doesn’t need to continue. “The Times of Bill Cunningham” is more frustrating than Cunningham’s memoir and the earlier movie about him because it feels like he might want to talk somewhat more directly about his life experience, but the old-time prison of the closet is allowed to win out in the end, and what we’re left with here is choppy and insubstantial. Look Inside the Academy Museum of Motion Pictures: How Finished Is It? (Photos) A tour of the building shows no exhibits but lots of almost-completed spaces The Academy said that it will announce an opening date for its long-awaited, much-delayed Academy Museum of Motion Pictures “very, very soon. ” (During the Oscars show, perhaps? ) In the meantime, it invited the press to tour the building on Friday, where we saw a lot of almost-finished spaces that will eventually contain exhibits relating to film history. Here’s what it looks like now, along with some plans and renderings of what it will look like then.
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The times of bill cunningham film. He had an eye for ladies’ fashion and for life going on around him. (2018) Documentary ( Greenwich) Bill Cunningham, Sarah Jessica Parker ( narrator), Mark Bozek, Editta Sherman, Diana Vreeland. Di rected by Mark Bozek Bill Cunningham was a beloved figure in New York; his two columns for the New York Times begun in 1967 were candid shots of mainly women on the streets of New York and out at fabulous parties became something of a visual history of fashion in the Big Apple for nearly 50 years. He mainly hung out at 57 th Street and 5 th Avenue, a corner which New Yorkers have petitioned to re-designate as “Bill Cunningham Corner, ” a familiar presence on his bicycle and blue moleskin jacket. The movie essentially revolves around a 1994 interview Bozek conducted with the photographer that was only supposed to last ten minutes but went on until the tape ran out. Although there was a previous documentary on his life, this one – which fittingly enough debuted at the New York Film Festival in 2018 – has more of the man’s voice in it, faint Boston accent and all. We get a pretty good overview of his life, from his strict conservative Catholic upbringing in Boston, to his time working as an advertising minion at the high-end department store Bonwit Teller in New York, to his obsession with ladies hats leading to a career as a milliner (hatmaker) which continued clandestinely while he was stationed in France for the Army. We see his time working at Chez Ninon, a New York fashion house that catered to the wealthy, to his introduction to journalism at Women’s Wear Daily, to the serendipitous photograph of Greta Garbo – he didn’t know who it was he was taking a picture of, only that he admired the way she wore her nutria coat that led to his long association with the Times. Cunningham is a marvelous storyteller and a charming, boyish presence on whom Bozek wisely keeps his focus. Former Sex and the City star Sarah Jessica Parker is an appropriate narrator, although I wish the narration had filled in the blanks a little bit more; for example, we’re never told how he ended up in the Army and when was he a part of it. We also hear nothing of the autobiography that was posthumously published, nor is any material referred to from there. However, we are treated to literally thousands of still images that were not only taken by Cunningham but also illustrated the various eras of fashion that he lived through. We get the joy that Cunningham took from his work – although he considered himself a fashion historian rather than a photographer and constantly downplayed his keen eye – but also there are moments that humanize him, as when he breaks down considering the toll AIDS took on those around him, particularly neighbor Carlos Garcia who was the subject of a documentary earlier this year himself and lived with Cunningham in the remarkable Carnegie Studio apartments above the legendary facility which are sadly scheduled for demolition to build offices and studios for the performers there. That’s a shame, considering that luminaries like Norman Mailer, Leonard Bernstein and Marlon Brando lived and worked there. In any case, this is a joyful documentary that is a tribute to a life well-lived. Most New Yorkers, particularly those in or with an interest in the fashion industry, adored Cunningham; Anna Wintour, the notoriously catty editor of Vogue once quipped “We all get dressed up for Bill, ” and there is a lot of truth in that. It was not unknown for the women of New York, eager to get their picture in the Times, to put on something fabulous and make their way to his corner. It was a kind of immortality, after all. In that sense, Cunningham – who passed away following a stroke in 2016 – will outlive us all. His amazing collection of photos which he stored in his tiny studio apartment somewhat haphazardly, will continue to shine a light on how we lived and how we dressed for what future generations remain. There is nothing wrong with that epitaph. REASONS TO SEE: Cunningham is a bubbly, effusive and self-effacing raconteur who makes for a charming subject. REASONS TO AVOID: Fails to fill in some of the blanks. FAMILY VALUES: This is suitable for all family members. TRIVIAL PURSUIT: Although Cunningham was the subject for a previous documentary of his life in 2010 and attended the premiere, he remained outside while the film screened, taking pictures and never saw the film. CRITICAL MASS: As of 2/22/20: Rotten Tomatoes: 72% positive reviews: Metacritic: 68/100. COMPARISON SHOPPING: Bill Cunningham: New York FINAL RATING: 6/10 NEXT: Portrait of a Lady on Fire.
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The times of bill.
- Reporter: Bethann Hardison
- Biography Fashion Activist, Documentarian.
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